His outrun electro is robot pop mixed with dark synths and the occasional lyric, a reminiscence of everything that was good in the 80s: Synthesizer jams with gargantuan leads, hard toms, spaced-out melody and the pains of being pure at heart. Dude your not supposed to shift while ur racing till you redline it The best energy drink ever. Though Zach has never seen this comic before, the ship looks just like the one he designed. Shake well prior to use. Welcome to the second weekly music discussion, it will be running til July 30th. Another great resource to discover new music is the weekly updated.
The album is strong as a whole and is a testament to Laszerhawk's diversity and creativity. This goes for both shares and requests. The sketch is usually in red. Redline by Wolfgang Gartner from the Album Electric Daisy Carnival Vol. Its like a toss up between; overdrive - electric groove - distress signal dream machine - the fixx.
He writes music reviews over at , an expert of the scene! Where they interview producers, play music and have a laugh in the chat. Help with editing the wiki is much appreciated! Time, there seems so much of it you believe you'll have forever. We are also working on the. I guess, I owe this album a lot. Anyway, making synthwave is an important part of my life, and Redline made this possible.
It's the perfect dreamy cruise contrast to the racing-themed tracks of Redline. The whole album is great. Too obscure for a torrent? Ultra, he admits that he used to work at the mental hospital before taking up cartooning, and the comic was based on the crazed ravings of a mental patient named Bob. Other than that it's hard to rank the rest of the album; I guess Electric Groove and the rather chill Space Trash take a special place. If not, well, it sure as Hell is a kickass outrun album, one you really should have, as it's high-octane.
If it's a share, include the genre. Darksynth as a subgenre I dig like the next black-leather-clad guy on a weaponized motorcycle that runs on pure neon, but Lazerhawk was strongest for me with earlier albums that had a classic 80s synthwave focus. Those soaring leads in Overdrive and Electric Groove are burned in my mind forever. It will with 8 oz, no less get you to the most energetic you've ever been, and you'll stay there longer. This exeptional diversity also shows in Lazerhawk's discography: No album is like the other, every one can be categorized into a different sub-grenre: Skull and Shark - darksynth, Visitors - spacewave did I just make that genre up? Once again, the lead in Overdrive is probably the coolest lead synth line I've ever heard.
Zach drives a co-worker home to her trailer in the woods outside of town. I'm not sure if it's a function of Radio playlists or not, but Electric Groove has the most plays out of any other song on this album. The directorial debut feature of Takeshi Koike, it features the voices of Takuya Kimura, Yū Aoi and Tadanobu Asano, and an. Transports you back to feeling invincible, the world wide open, all things possible still. If so, it's incredibly nuanced and surprisingly poignant. I knew I liked dark synth, and Lazerhawk was one of his tangents listed as such, so why not? I am so stoked I didn't go too long without knowing this album. You're welcome to scoff, of course.
The best thing about it is having variety and coherence at the same time, and I'm yet to hear any synth album that can rival Redline in this regard. I have only had a chance to listen to Skull and Shark other than Redline and I think there seems to be a bit of a difference. They then discover that Bob , far from being insane, is an alien being reincarnated from 250 million years ago who has been waiting for the invaders to return so he can save the Earth. It's another wonderful instrumental, sounding dark and a little desperate as Lazerhawk puts his skill through its paces. All night long I sit at home I dream about a time we can be alone Come on baby call me on the telephone But you never do And when were together I can feel the space I want you so bad but the look on your face Tell me one thing that I already know You're not ready to go We're gonna make you groove I'm gonna make you move We're gonna make you groove I'm gonna make you move We're gonna make you groove I'm gonna make you move I'm gonna make you run I'm gonna make you sweat All night long I wait for you I can't help but imagine all the things we'll do To an electric groove.
How does this album hold up today? If you really want to get into the thick of things check out the awesome live Synthwave shows on. Please help to establish notability by citing that are of the topic and provide significant coverage of it beyond a mere trivial mention. I don't really know who's behind Lazerhawk but they must've already been a very experienced musician at the time the album was made. Things start out pretty mellow but the synths are a little louder with the second chorus. It was perfect, then I started to Branch out and found MegaDrive and now I'm too deep into the genre to get out. Panicked, he floors the car and runs it into a tree. It's a sad, soulful song with a great solo and a great way to kick off the night drive.